Books, Movies, Movies,... Life!

My absolute, all-time favorite line from a movie - in this case from a television series - comes from the lips of Sawyer in LOST and it goes something like this, "Woman! What are you trying to do? Blow up my damn heart?" (In this particular episode, Sawyer has been booby-trapped - he thinks - with an explosive device that will detonate when his heart rate goes above a certain speed and at the time of using the delectable phrase, his love interest, Kate, is trying to, er, raise his heart rate.

I've been using that one liner a lot lately. I'm going in for a procedure to , blah, blah, blah, eliminate an extra electrical pathway in my heart to blah,blah, prevent "blowin' up my damn heart!" :o) Laughter truly is the best medicine, well, provided I don't raise my heart rate enough to blow up my damn heart. (See? I chuckle every time I say it, er, write it.)

Anyhoo, this blog installment is gonna be short and sweet, and it is dedicated to all of the FABULOUS movie and novel one-liners!

I'd love to hear your favorites. Most of mine come from LOST. (Yes, I thought they were writing geniuses right up until the end of the series.) But now, some of my favorites come from the TV series PSYCH and BIG BANG! Okay, bring on your one-liners and give me a chuckle while I recuperate.

Oh, and I've got a new novella up at Amazon. It's called FLIPPIN' THE BIRD. Maybe you'll find a couple of one-liners in there!

Hold Onto Your Hats. We're Moving at a Clip!

Books, Movies, Movies, Books. Say that five times. Fast. Faster. That’s the speed at which you have to read this blog entry.

There’s much to be learned from movies to do with writing, but let’s focus on… pacing. (Did you see the way I slowed you right down with the use of the ellipses?) Recently I've been re-visiting the television series, WEST WING.

The premise for this series is, as pulled from IMDB (internet movie database): “(a look) inside the lives of staffers in the west wing of the White House.” More precisely, the viewer is following one president’s back-to-back double terms in office and all of the soap operatic events surrounding that and his immediate staff.

There is something about this series and its pacing that makes the viewer walk away, not just feeling smarter, but actually being smarter. There is much to be garnered with regard to real-life politics – the hierarchy, the three-branches of government, the machinations of politics, the “taken from the headlines” serial plot lines, the mirror of current events. (This series began in 1999 and makes constant reference to political events that are on-going or recently resolved.)

But there’s something beyond the content that makes the characters, and thus the viewer, seem smarter. Pacing.

You don’t have to watch a lot of WEST WING to realize that these characters are portrayed as fast-on-their-feet. The dialogue is delivered in a clipped, fast pace that forces the viewer to look and listen sharp or you’ll miss the punch line. Sure, it’s also got multiple sub-plots and a cast of a thousand characters, but all that aside, it’s the pace that makes me sit forward in my seat and hold on tight to keep up.

I guess part of the magic of this style of writing is that it not only transports the viewer (me) through the vicarious thrill of working in the White House. It makes me feel like I could work in the White House – for real – if only I could keep up.

But how does that look on the written page? Well, that depends upon how quickly you read. Me, I'm a slooooow reader. I like to feel the words with my tongue, practically read aloud. Okay, honestly, I can't read fast. There's a disconnect for me between the written word and comprehension, so I have to pause after almost every paragraph to formulate a picture in my head. (Yeah. It's slow, but oh-so-enjoyable.) But for me, I get pacing, when the dialogue takes over and the writer moves away from blow-by-blow description. I can fill in the blanks. I'm imaginative that way, playing the story like a movie in my head.

I picked up a written copy of one of my son's favorite series, PSYCH. In it, (the television series), the characters, like those in WEST WING, enjoy quick, snappy dialogue. But I lost half of the humor in the book version, because the pacing just wasn't the same for me. It was slow, because of the laborious description. Oh well. That's me. Not everyone has to plow over every paragraph like some of us. 

Anyhoo, if you wanna see some great examples of pacing in movies as it builds characters, check out WEST WING and PSYCH. (Dule Hill appears in both series.) Then report back if you have suggestions about how to duplicate that tool in writing. Until then, I'm on the last season, episode 12. Zip. I'm off.